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MAGIC LIGHTS, BOILING SURFACES – REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER

MAGIC LIGHTS, BOILING SURFACES – REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER

Organic iron shapes glide through the waters of a lake that has an Edenic feel to it, in a mix of drawing, sculpture and environment with large and challenging scales. An immersive video installation in which the artist creates a sexy and ecological work using technology. A solo exhibition in which the strong political ebullience of our times is not manifested in works similar to leaflets and prescriptions that are already so widely disseminated, but rather in a subtle poetics that does not seek simplistic results. This is how Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.

Apenas Depois da Chuva (Only After the Rain) attests to Rebeca Carapiá’s fruitful moment, with large-scale three-dimensionals exhibited in traditional shows such as the Panorama of Brazilian Art at MAM-SP (until January 26), and this project specifically commissioned by the Minas Gerais arts center, with no completion date. Carapiá is also now represented by the Millan gallery, one of the big players in the Brazilian market, –which has the medallion artist Tunga (1952-2016) on its list– precisely with a lake-surrounding pavilion entitled True Rouge, a striking piece from 1997.
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18 Nov 2024

por: Mario Gioia

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